Two Guys SportsImage of the Day - November 2 - November 15th, 2008 Introduction to Kenneth Parker
November 2nd 2008 09:22
For the next couple of weeks I have the pleasure of sharing some incredible images from an amazing photographer. He has had photos appear in many magazines (View Camera, Communication Arts, Oceans, Geo, Time, Natural History, Smithsonian, and Pacific Discovery), and books (Glacier Bay, and Icy Wilderness). His work also appears in many galleries around the country which are listed below. He also has images gracing the halls of places like the Smithsonian Institute. (Also listed below)
He has agreed to take a major step down from all those wonderful achievements and allow me to use his images for my Image of the Day feature here on Blogging In America.
This photographic genius's name is Kenneth Parker. Rather than try to describe him to everyone and probably miss a few facts I will simply share a profile from his web site with you all.
"Kenneth Parker is a large-format landscape colorist working principally in remote
pristine wilderness areas throughout the world where he has trekked and kayaked
extensively. He is inexorably drawn to the elemental earth/ocean forces and their
compelling magic, translating into arresting imagery the depths of these feelings,
rich in power, radiant. His early experience as fine art color pioneer Eliot Porter’s
field assistant helped to nurture a loving eye devoted to isolating and capturing the
mysteries in nature that he struggled for decades to unravel as a research scientist in
oceanography and global climate change. Paul Caponigro has also been a principal
influence on his development as a consistent mentor to Parker since the mid-70s.
Most of Parker’s photographs are captured over the course of 5-10 day backpacking
excursions hauling 75-85 pounds of large-format camera equipment as he becomes
immersed in a profound sense of place. Often several days are spent contemplating
the changing light and intimacy of a composition before completing a single exposure.
Usually only one or two distinctive images will result from one of these journeys.
Over the past three decades, Parker has produced a body of work in several formats
that has been widely exhibited and published. While a great deal of that time was
occupied with his natural science career, he consistently maintained and exercised
the creative passions that have now fully committed his life focus to photography.
Paul Caponigro writes: Parker’s stunning prints have impressed me and will no doubt also impress you for their beauty of craft as well as content. Those who will give sufficient time to discover what has been wrought through his efforts will no doubt be rewarded. He has met and mastered the shape of his own passion and vision.
And from the lips of the late great Ruth Bernhard at her home: The way in which Ken works with the light is simply inspiring. It feels as if he has an arrangement with God.
Printing is carefully executed by the artist on scanned 4x5 files using state-of-the-art controls as in any traditional color darkroom that correct for color balance, contrast, burning and dodging without alteration or manipulation of the original image —
the integrity of which is maintained true to the light and color captured during exposure. Parker maintains a strong philosophical commitment to this approach.
Fujicolor Crystal Archive chromogenic prints represent the most permanent, silver-
based, color photographic emulsion paper available today, providing a 100-year life expectancy without fading. The combination of resolution, color quality/accuracy,
and archival longevity ensure the very highest level of quality for collectors. In addition, all prints are guaranteed for life against any fading or discoloration, and would be otherwise replaced by the artist upon request. They are in limited editions.
Representation: Weston Gallery (Carmel), John Stevenson Gallery (NYC), Barry Singer
Gallery (San Francisco), Ralls Collection (Washington DC), Photographs Do Not Bend
(Dallas), Ordover Gallery (San Diego), Marigold Arts (Santa Fe) and others. Exhibited:
Smithsonian Institution, Oakland Museum, Los Angeles County and San Diego Museums of Natural History, California Academy of Sciences (SF), Center for Photographic Art (Carmel). Education: Biology and Environmental Studies bachelor degrees (University of Pennsylvania, University of California), PhD Oceanography (University of Washington)."
Please note that the above info and all images attributed to Kenneth Parker over the next couple of weeks are all the property of Mr. Parker and cannot be reproduced without his express consent. You can also place orders for prints of his work through his web site.
At this time I would like to thank Mr. Parker for allowing me to share his images with everyone. Please leave your comments and words of praise on all the images as I know Mr. Parker will be checking in to see which images I am using.
Now onto our first image from Mr. Kenneth Parker.
This image looks almost magical to me. It is more like something you'd see in a fantasy novel or movie that took hours to construct, or maybe even an elaborate painting. It is however just a stunning photograph of nature at its best, captured from the incredible perspective of the photographer.
What do you think of this image?
He has agreed to take a major step down from all those wonderful achievements and allow me to use his images for my Image of the Day feature here on Blogging In America.
This photographic genius's name is Kenneth Parker. Rather than try to describe him to everyone and probably miss a few facts I will simply share a profile from his web site with you all.
"Kenneth Parker is a large-format landscape colorist working principally in remote
pristine wilderness areas throughout the world where he has trekked and kayaked
extensively. He is inexorably drawn to the elemental earth/ocean forces and their
compelling magic, translating into arresting imagery the depths of these feelings,
rich in power, radiant. His early experience as fine art color pioneer Eliot Porter’s
field assistant helped to nurture a loving eye devoted to isolating and capturing the
mysteries in nature that he struggled for decades to unravel as a research scientist in
oceanography and global climate change. Paul Caponigro has also been a principal
influence on his development as a consistent mentor to Parker since the mid-70s.
Most of Parker’s photographs are captured over the course of 5-10 day backpacking
immersed in a profound sense of place. Often several days are spent contemplating
the changing light and intimacy of a composition before completing a single exposure.
Usually only one or two distinctive images will result from one of these journeys.
Over the past three decades, Parker has produced a body of work in several formats
that has been widely exhibited and published. While a great deal of that time was
occupied with his natural science career, he consistently maintained and exercised
the creative passions that have now fully committed his life focus to photography.
Paul Caponigro writes: Parker’s stunning prints have impressed me and will no doubt also impress you for their beauty of craft as well as content. Those who will give sufficient time to discover what has been wrought through his efforts will no doubt be rewarded. He has met and mastered the shape of his own passion and vision.
And from the lips of the late great Ruth Bernhard at her home: The way in which Ken works with the light is simply inspiring. It feels as if he has an arrangement with God.
Printing is carefully executed by the artist on scanned 4x5 files using state-of-the-art controls as in any traditional color darkroom that correct for color balance, contrast, burning and dodging without alteration or manipulation of the original image —
the integrity of which is maintained true to the light and color captured during exposure. Parker maintains a strong philosophical commitment to this approach.
Fujicolor Crystal Archive chromogenic prints represent the most permanent, silver-
based, color photographic emulsion paper available today, providing a 100-year life expectancy without fading. The combination of resolution, color quality/accuracy,
and archival longevity ensure the very highest level of quality for collectors. In addition, all prints are guaranteed for life against any fading or discoloration, and would be otherwise replaced by the artist upon request. They are in limited editions.
Representation: Weston Gallery (Carmel), John Stevenson Gallery (NYC), Barry Singer
Gallery (San Francisco), Ralls Collection (Washington DC), Photographs Do Not Bend
(Dallas), Ordover Gallery (San Diego), Marigold Arts (Santa Fe) and others. Exhibited:
Smithsonian Institution, Oakland Museum, Los Angeles County and San Diego Museums of Natural History, California Academy of Sciences (SF), Center for Photographic Art (Carmel). Education: Biology and Environmental Studies bachelor degrees (University of Pennsylvania, University of California), PhD Oceanography (University of Washington)."
Please note that the above info and all images attributed to Kenneth Parker over the next couple of weeks are all the property of Mr. Parker and cannot be reproduced without his express consent. You can also place orders for prints of his work through his web site.
At this time I would like to thank Mr. Parker for allowing me to share his images with everyone. Please leave your comments and words of praise on all the images as I know Mr. Parker will be checking in to see which images I am using.
Now onto our first image from Mr. Kenneth Parker.
This image looks almost magical to me. It is more like something you'd see in a fantasy novel or movie that took hours to construct, or maybe even an elaborate painting. It is however just a stunning photograph of nature at its best, captured from the incredible perspective of the photographer.
What do you think of this image?
Granite Ledges, Kaweah River - Sequoia National Park, California by Kenneth Parker
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